
Department of Dramatic Arts
802 Bolton Rd., Unit 1127
Storrs, Connecticut 06269-1127
Phone: 860-486-1631
Fax: 860-486-3110
Email: michael.franklin-white@uconn.edu
Michael Franklin-White (Associate Professor,
Drafting, Digital, and Scenic Design) Michael Franklin-White
has designed sets for The Illinois Shakespeare Festival, The
Huntington Theatre, Arena Stage, New Playwrights, Boston Shakespeare
Company, Seven Stages, Company One, The Curtis Institute,
Peabody Opera Theatre, Maryland Opera Studio, The Merrimack
Repertory Theatre, The Connecticut Repertory Theatre, The
Foulton Opera House, The Clarence Brown Theatre, Les Recontres
Musicals, Evian, France, The Nikitski Gates Theatre, and the
Mosovet Theatre, both in Moscow. He has worked with directors:
Leon Major, Gary M English, James Nicola, Peter Frish, Roger
Brunyate, Valerie Curtis Newton, Joshua Karter, Clinton Turner
Davis, Peter Bennett and Rhoda Levine.
He has been assistant designer for Liviu Ciulei at Seattle
Repertory, American Repertory Theatre and Teatro Musicale,
Florence, Italy. From 1982 to 1988, he was the scenic artist
at Arena Stage and the Washington Opera in Washington, DC,
painting for designers such as Ming Cho Lee, Karl Eigsti,
Tony Straiges, William Dudley, Zack Brown, John Bury, John
Pierre Ponell, Robert O’ Hearn, John Gunter, Adrian
Lobell, Radu Boresque, and Thomas Lynch. He also taught set
design, design history, and scene painting at the University
of Illinois at Urbana-Champaign, and scene design at Trinity
College, Hartford. Michael is currently an Associate Professor
in Residence for Dramatic Arts at the University of Connecticut,
Storrs specializing in Scene Painting and Computer Design.
From 1988 to 1993, and 2000 to 2003, Michael worked for Thomas
Cariello at Corporate Scenographics LLC., on productions for
IBM, Ford Mercury Leasing, Merck, Sandoz, McDonalds, State
Farm Insurance, Volvo, Avon, Johnson & Johnson, and Mobil
Oil, Pfizer, Purdue and Coors. He has also designed exhibits
for the United States Information Agency (The Prague Quadrennial
1987) and the Library of Congress.
He has a M.F.A. from the University of Connecticut in scene
design, with postgraduate work at Brandies University in scene
painting and scene design, and is a member of United Scenic
Artists, Local 829, New York, in the categories of Scenic
Design and Scenic Painting.
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